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The Chemistry of Conservation

Posted under Exhibitions by Guest author

Editor’s note: In 2001, Eunice Johnson commissioned an ostrich feather coat and skintight 1930s-style beaded gown with a separate face-framing hood from Bob Mackie. Costume curator Virginia Heaven describes the ensemble as “part fairy princess, part Vegas showgirl, part Barbie doll.” In this post, curatorial assistant Alex Aubry takes us to meet Julie Benner and More

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